Wednesday, May 25, 2011

App Contest


by Wolf Schneider

Beverly Buchanan outside Santa Fe Complex

BACKSTORY Santa Fe, the app I co-created, just won the Santa Fe App Jam competition in the Freestyle-Crowdsourced category! It’s part of the Mobile Apps Development Challenge going until July from the city of Santa Fe, MIX, and the NM Technology Council.

BACKSTORY Santa Fe had humble beginnings. Two weeks ago, I lunched at New York Deli with a unit publicist friend. What to do until we get onto our next movies? Could we leverage our knowledge about movie and TV production, publishing, popular culture, and Santa Fe into an app? Would others want to know that they lowered the Rio Grande for “All the Pretty Horses” and where that biker bar was in “Wild Hogs”? Did anybody else wonder how mystery novelist Stuart Woods got so well acquainted with Santa Fe Airport?

When we arrived at the App Jam at Santa Fe Complex (a cool hub for techno-entrepreneurs), we hoped we were not destined to be like the twins in “The Social Network” – – the ones who had the initial idea for what became Facebook and found themselves eating Mark Zuckerberg’s dust. Our competitors ranged from 12 to sixtysomething. We got some quick cred when keynote speaker Andrew Stone joked not to rule out the movie publicists. I identified four guys as the primo programmers. Darn, the Gang of Four formed a team together. I tried to interest them in BACKSTORY, but they declined, proffering a frappuccino as they huddled over their laptops. My team (myself, Louise Spencer, Beverly Buchanan, Brooks Walch) took a chattier tact. We brainstormed revenue sources, added an audio component, and our IA mapped out hardwire specs for our pop culture-themed tourism app.

Six teams made it to the end for final presentations to the judges (who included Eric Renz-Whitmore of NM Technology Council and Zane Fischer of MIX), and while nobody cried like Meatloaf, it was pretty intense fielding their questions about populating, user interface, and Layar. BACKSTORY won! Next step: finding a coder.

Santa Fe-based Wolf Schneider has been editor in chief of the Santa Fean, editor of Living West, and consulting editor of Southwest Art. She also blogs at www.wolfschneiderusa.com. 

Photographer: David Alfaya, Taken in Artist Studio: Gregory Lomayesva

Friday, May 6, 2011

Dinner to Remember

by Wolf Schneider


Chef Sara Mouton at Luminaria last nite

How lucky are we that chef extraordinaire Joseph Wrede – – who built his reputation at Joseph’s Table in Taos – – is coming to Santa Fe to relaunch the Palace Restaurant? At last night’s fabulous Sara Moulton and The Chefs of Santa Fe Wine Dinner at Luminaria, Wrede’s Crispy Crab and Fresh Spring Herbs course wasn’t the fanciest dish, but it was the most wonderful. Soft-shell crab season began May 1st on the East Coast, and Wrede had his soft-shell crabs flown in from Virginia the day they were caught. They had all the sweetness of a super-fresh ocean fish and were served with dandelion greens and a tangy aioli. Luminaria chef Matt Ostrander made an exotic mozzarella cheese of coconut milk that he served with purple and green asparagus, micro greens, and an 18-year-old balsamic reduction, making for a delectable and delicate salad. There was also a Beet Salad and a Braised Rabbit. To top it off, vivacious chef Johnny Vee whipped up a potent mocha mint tiramisu with rum and vermouth, served with a Yalumba dessert wine.

The dinner, which cost $95 for six courses paired with wines, sold out in 24 hours, said Inn at Loretto’s sociable marketing/sales director Dana Ortega. It was a night to remember, with 70 of Santa Fe’s gourmands at the gathering, including press like Zane Fischer, film folks like Steve Perry of Masque Entertainment Group, politicos, and of course Sara Moulton herself, promoting her new cookbook. Driving home afterwards, a sliver of a hangnail moon hung overhead in a jet-black night sky.
                   
Santa Fe-based Wolf Schneider has been editor in chief of the Santa Fean, editor of Living West, and consulting editor of Southwest Art. She also blogs at www.wolfschneiderusa.com. 

Photographer: David Alfaya, Taken in Artist Studio: Gregory Lomayesva

Tuesday, April 19, 2011

Winds of Change


by Wolf Schneider

Cobb Salad at Luminaria
 
The aspens just began budding in Santa Fe, along with all the fruit trees. The wind is blowing relentlessly like it does every spring, whipping branches around. Wind can spur thought and action. There are some countries where judges are more understanding if crimes are committed during strong winds because positive ion conditions like dry winds can exacerbate violence. In Greek mythology, Zephyrus was the god of the west wind and of springtime, who mated with the goddess of greenery. Wind feels like an instigator of change.

Change is certainly afoot here in Santa Fe. In the art world, The Edge has closed and Altermann Galleries shut down its longtime Canyon Road location, concentrating its presence up on Camino del Monte Sol for its art auctions. Affable gallery director Kent Whipple is gone from Meyer East Gallery. The vigorous new Canyon Road Merchants Association has swelled to 86 members, and is mobilizing to mount a billboard on I-25 North.

In city news, CVB director Keith Toler resigned. And on the restaurant scene, Ristra is reportedly opening up a second restaurant in the old A La Mesa location, and there’s talk that super-talented Taos chef Joseph Wrede (late of the famed Joseph’s Table) may be coming to Santa Fe. I just had an excellent Cobb Salad for lunch at Inn at Loretto’s Luminaria, which will be opening its patio with a new spring menu shortly—when the winds let up.
                       
Wolf Schneider has been editor in chief of the Santa Fean, editor of Living West, consulting editor of Southwest Art, and also blogs at www.wolfschneiderusa.com.

Photographer: David Alfaya, Taken in Artist Studio: Gregory Lomayesva

Wednesday, April 13, 2011

Fruit Trees & Lilacs

by Wolf Schneider

Fruit tree in bloom in Santa Fe

We’re having a warmer than usual spring in Santa Fe. Temps have already hit 80. The forsythia, crocuses, and daffodils are in full bloom, trees are freshly greening, and now the fruit trees are blossoming pink and white all over town. Today, I saw the first lilacs emerging from a small tree on Botulph Road. Lilacs don’t usually bloom in Santa Fe until early May!

We are low on rain though, and have already had a fire just south of town. I’m hooked on the just-released “Fire Season” by Philip Connors, about being a wilderness lookout in the Gila. Connors writes in the great tradition of such other outstanding lit writer/wilderness lookouts as Jack Kerouac, Norman Maclean, Gary Snyder, and Edward Abbey.

Spring is when Santa Fe gets geared up for its busy summer season. Currently at the Santa Fe Playhouse is a show I intend to catch--“Callback,” a two-person dramedy about the aging relationship between an actress and director who she auditions for repeatedly over the decades, hoping for a break. I get the “hoping for a break” part. Also sounding promising is Brian Knox’s soon-to-launch Shake Foundation at 631 Cerrillos Road. Knox is the chef/owner of the pricey and delicious Aqua Santa, and with Shake Foundation (www.shakefoundation.com) he’s got plans for affordable gourmet green-chile cheeseburgers made from grass-fed beef, Portobello burgers, shakes, sundaes, and Velarde peach custard. When Knox and I used to board our horses at the same barn, I remember once seeing him on horseback conducting a cell-phone conversation with one hand, while using his other hand to steer his horse around the ring at a canter! He can ride!

Wolf Schneider has been editor in chief of the Santa Fean, editor of Living West, and consulting editor of Southwest Art. She also blogs at www.wolfschneiderusa.com.

Photographer: David Alfaya, Taken in Artist Studio: Gregory Lomayesva

Thursday, March 31, 2011

Left Coast Crime


by Wolf Schneider

The Left Coast Crime convention (www.leftcoastcrime.org) for mystery writers just took place in Santa Fe at La Fonda on the Plaza, drawing a hefty crowd of 450. I saw a lot of nametags from California, plus ones from Minnesota, Wyoming, and Colorado. Some of my favorite mystery writers were there, like Sandi Ault (www.sandiault.com), sporting some sumptuous Southwest jewelry; Craig Johnson (www.craigallenjohnson.com), having a beer in the lobby in his cowboy hat with his always-cool-looking wife Judy; and the elegant Margaret Coel (www.margaretcoel.com). You had to love Parnell Hall for dredging up Abbie Hoffman’s name in reference to an act of rebellion, and Bill Fitzhugh for asking the other authors to sum up their life philosophy in 20 words or less, to which Ault cleverly responded, “Love life. Be free. Go wild.”

Wolf Schneider and Sandi Ault at LCC
Not much business gets discussed at LCC—it’s more about the convivial schmoozing—but one author did reveal on a panel that she makes almost $4 dollars for each hardcover book that’s sold at an independent bookstore, while she profits just 11 cents per each e-book sold. At the gala awards dinner, toastmaster Steve Brewer confided he’s writing a mystery set in Santa Fe. Craig Johnson nabbed The Watson award for mystery novel with best sidekick and Margaret Coel took the Hillerman Sky Award for mystery that best captures the Southwest landscape. “Beat” writer Stephen Jay Schwartz lent a Hollywood aura to our table.

For a writers’ conference that’s focused on the craft and business of writing, I’m looking forward to the Tony Hillerman Writers Conference (www.wordharvest.com), upcoming Nov. 10-12 in Santa Fe. That one includes cash prizes for best unpublished mystery novel and short story!

Santa Fe-based Wolf Schneider has been editor in chief of the Santa Fean, editor of Living West, and consulting editor of Southwest Art. She also blogs at www.wolfschneiderusa.com.

Photographer: David Alfaya, Taken in Artist Studio: Gregory Lomayesva

Sunday, March 20, 2011

Back in Santa Fe

by Wolf Schneider

They call Montana “Big Sky Country” and Wyoming “The Big Empty,” but Santa Fe’s huge cornflower-blue sky and wide-open spaces were what struck me the other morning. Travel makes us see things with a fresh view. Just back in Santa Fe from a trip east, on my walk I hightailed it along in sweats with no jacket. I tuned in to the many birdcalls—cheerful high tweets from the smaller birds and low caws from crows--and the calming color palette of creamy adobe homes silhouetted against blue skies. Santa Fe is Southwest Spartan compared with the varied oaks, draping Spanish moss, and wildflowers I was walking among on my trip, but it seems like we can breathe deeper in the quiet tranquility here. We can find our own individuality easier in the peace.


A house off Acequia Madre InWinter

In March it still looks like winter without much blooming in Santa Fe. Our landscape is all browns, greens, and blues. But it feels like spring is sneaking in. March and April are the two most pervasive juniper allergy months; it helps to take Allertonic from Herbs Etc. (http://www.herbsetc.com/). Soon the rare bunches of forsythias and crocuses will emerge. Having fewer blossoms in our surroundings makes us value them even more. Our ever-shifting crystalline light works wonders on a landscape turned barer and more architectural at this time of year. The other night at sunset the sky was swirling with grape and orange as I drove through town, wondering where my future was going to be.

Santa Fe-based Wolf Schneider has been editor in chief of the Santa Fean, editor of Living West, and consulting editor of Southwest Art. She also blogs at www.wolfschneiderusa.com.

Photographer: David Alfaya, Taken in Artist Studio: Gregory Lomayesva

Monday, March 7, 2011

Protecting Gallery and Artist Brand Starts from the Beginning

by Mark Sublette, President Medicine Man Gallery

Watching or reading any news periodical over the last few weeks one couldn’t help being sucked into Charlie Sheen and John Galliano’s ever faster spinning world of porcelain plates.  When it comes to tabloid fodder of such magnitude its hard not to want to watch as grandma’s good china hits the floor, how else can you explain Sheen’s Guinness record of 1 million new Twitter fans in one day: http://www.guinnessworldrecords.com/

Twitter actually may have actually helped Sheen’s brand (assuming he can still have such a thing). There are two reasons: First on Twitter Sheen is limited to 140 characters and no live images, (which seem to be everywhere including Conan O’Brien’s moon.) http://teamcoco.com/blog/photos-conan-set and second if Sheen can monetize his every growing fan base like Kim Kardashian, he can make a boatload of money for Tiger blood and party time.  After all the alcohol industry is known for big budgets.

Kardashian, one of the best brand builders, makes up to $10,000 per tweet for mentioning an advertiser's product, not bad work for a few seconds of work.   As she approaches the 3 million-follower mark her brand value can only go up.  It’s no wonder Piers Morgan,
http://piersmorgan.blogs.cnn.com/2011/03/01/charlie-sheen-on-domestic-violence-women-are-not-to-be-hit/, another brand suave star, asked Kardashian on his show if she would ask her Twitter fans to follow him, (she did, Oprah deflected the request).  If Morgan had been on his A game he would have waited until after Sheen had set up his Twitter account before he invited him on, but of course this is a great reason to have him back, which he will.

By now your wondering what these ramblings of celebrity filled dribble has to do with my brand in the art world, well I’m getting there, be patient…

John Galliano, the star of Christian Dior, decided drinking, fighting, and screaming anti-Semitic rants was a great way to kick off Oscar weekend.  Dior did not.  They immediately canned the pirate of the runway and are still dealing with brand preservation.  Owning 92% of the Galliano brand, Dior at this point is still embracing the Galliano brand but not the man.  My guess is it’s a wait and see situation, how does Galliano’s alcohol rehab and trial unfold and will his fan base come back on board.  My guess is that Gilt Group http://www.gilt.com/ will be having lots of sales on Galliano dresses in the near future…

Ok, so I promised this had something to do with art, galleries, and artists… it does I promise.

We in the art world are no different than any other brand be it Sheen or Dior.  Our actions are followed and rewarded.  These include doing good business, having ethics, and treating artists (clients) with respect.   A slow process, but this is how you build a brand, over time with lots of  successful transactions.  It’s much easier to destroy a brand quickly by taking advantage of artists, clients, and fellow colleagues then it is to treat them with respect over a long career. Short-term gains, no matter how large, when obtained at a cost of the brand (reputation) will ultimately destroy the company.  Dior recognized this and immediately fired Galliano even though it also killed a sizable investment in their brand.  Accenture also protected its brand by dropping Tiger for a more likeable kind of animal, a surfing elephant. Both companies understood their brand was important no matter how much money they had spent on developing a now damaged line of advertising; art galleries and artists are no different.

When building a brand you want to be associated with galleries/artists who are liked minded.  An example would be an art magazine, which has quality advertisers and focuses on real content, this is a good place to build your brand.  Steve Jobs at Apple recognizes this and always focuses on quality control.  This is why Apple reviews all the Apps before they are approved for his brand even if it slows the process down, long term gains out weight short term.  No matter how large and powerful your company, protecting brand and reputation should always be at the forefront.  

Google recently was highly criticized for not policing their algorithms with regards to content farms, http://www.kingpin-seo.co.uk/webmaster-magazine/google-panda-monium/01878 and spurious links.  Two major companies, which Google deemed as offenders, were J.C. Pennys and Overstock.com Google took action, which affected 12% of all its current searches by implementing what is now called Google Panda.  Many companies that paid lots of money to Google for Sponsor position were affected but Google needed to protect its users and thus its brand.  Never to big to fail.

Deciding where and how to put advertising dollars for brand development is no different.  Does the art market you want to embrace resonate with the story you want to tell?  Unfortunately no magazine, Facebook site, or Twitter account is going to help you if you haven’t nourished the brand from its beginning. 

For artists it means staring with a good choice with regards to selecting a gallery. Ask other artists about the gallery, this includes financial stability, does the prospective gallery have a reputation as a poor, slow or even no pay when it comes to its artists.  If the gallery passes the economic litmus test then find out about the gallery’s other artists.  You want artwork that hangs next to you on the gallery wall to be of quality and add to your own reputation.  It doesn’t do you any good to sell your artwork if you’re the only original artist and your selling by default because of your quality.   Your brand as an artist is not only your painting ability but also the gallery that represents you.

Galleries have the same problem in reverse, they must choose artists that fit together, have original thought, and are quality individuals as well as painters and sculptors.  Gallion’s talents a designer were real but now Dior is paying for the personal side, it’s best to have both talent and personality intact to begin with.

Branding is about associations as much as it is logos.  If your brand is always associated with great art, ethical dealings, and quality content your on the path toward success.  If such components of running an art gallery or being an artist don’t seem important to your branding process then don’t be surprised when your forced to walk the gangplank, because of questionable behavior.
Hold the press this just in, Charlie Sheen just got fired from his job and is now up to 2 million Twitter followers, Pier’s get on the phone. time to build your brand.



Saturday, February 19, 2011

Goats and Chickens

by Wolf Schneider

“Acting the giddy goat” is an expression meaning to behave foolishly, but goats aren’t really foolish, I found out when I recently visited some in Santa Fe. They are curious and intelligent. Goats can be trained to pull carts. They are sometimes escape artists when it comes to fleeing their pens. They tend to be picky eaters, fast runners, and agile climbers. They are closely related to sheep and antelope. Female goats, called does or nannies, make milk that is ideal for cheese, ice cream, and soap. All-natural moisturizing goat soap is what the Santa Fe-based company Milk and Honey (www.milkandhoneysoap.com) makes from its two goats.

A Santa Fe goat Survives winter

These goats live near a rooster pen inside Santa Fe city limits. Back-yard poultry are somewhat popular in Santa Fe. The Feed Bin on West Alameda sells chicks like the Rhode Island Reds for less than $10 each. But back to the goats--they were super friendly, coming right up to be petted. The goats smelled just fine, although un-castrated male goats—called bucks—can be stinky. It’s a hormonal thing. This corral smelled like the earthy alfalfa the goats were noshing, reminding me of horses. Goats are often friendly with horses. A goat is a good companion for a solo horse since a goat tends to be cheaper to care for than a second horse. Both horses and goats like the companionship of other farm animals since they are herd animals. You know: safety in numbers. It was comforting to pet the goats and enter their nature-ruled world.
                     
Santa Fe-based Wolf Schneider has been editor in chief of the Santa Fean, editor of Living West, and consulting editor of Southwest Art. She also blogs at www.wolfschneiderusa.com. 

Photographer: David Alfaya, Taken in artist Gregory Lomayesva's Studio

Thursday, February 17, 2011

Santa Fe's Canyon Road Galleries Become a Force

The Canyon Road Area Merchants have banded together to support and promote one the most historic roads in America Canyon Road. With a hundred galleries located in distance of just less than a mile, it has to be one of the great confluences of artwork in America. The newly formed Canyon Road gallery associations mission is to promote knowledge of the road, its art and history.

Selby Fleetwood Gallery

The artwork is as varied as the people who visit. Over Christmas I did a television interview in my Canyon Road Gallery for a Japanese television program which was focused on Canyon Road. There are numerous wonderful contemporary art galleries such as Selby Fleetwood and McLarry Modern, which can be found on the road intermixed with more traditional galleries like Medicine Man Gallery and Tresa Vorenberg Goldsmiths.

McLarry Modern, Photograph by nadelbachphoto.com

Many of the galleries are in historic residences one occupied by local artists, and other prominent Santa Feans. Surviving farmhouses from the Spanish period include the Juan Jose Prada home (519 Canyon Road, now a private residence), which was built as early as 1768. El Zaguan, at 545 Canyon Road, was originally a two or three-room house with adobe walls four feet thick. It was enlarged in the mid-nineteenth century by James L. Johnson, a prominent merchant of the old Santa Fe Trail, to contain 19 rooms and courtyard gardens. Now home of the Historic Santa Fe Foundation, several rooms of El Zaguan are open to the public.

The Canyon Road Merchants will be bringing together varied arts, restaurants, and historic residences to celebrate this most unique place in America. To follow the activities of Canyon Road you can visit www.canyonroadarts.com, the one stop website for activities on Canyon Road and Santa Fe.